Subisotopica London 2009

This installation was centred around a visceral sub bass installation (see equation above), utilising the subsonic resonant feedback frequencies of the various arches in the long corridor. The effect was at times similar to standing near a jet engine. The installation was more a physical than a musical experience. Although the installation was deliciously loud, it did not contain any of the annoying frequencies associated with noise. I managed to make eyeballs pleasantly wobble, at the same time communication still being possible. Euphonically it was ultra minimal though most extraordinarily euphonic.

performed with a team of fifteen actors, four collaborators and a general public