Resonant Lacunae

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Lacuna, blank space,

Silent void of the unknown,

Whispers yet untold.

I don’t care what the people might say, people might say I’m gonna keep all love,
I love this way, love this way
I don’t care what the people might say, people might say I’m gonna keep all love,
I love this way
I don’t care what the people might say, people might say I’m gonna keep all love,
I love this way, love this way
I don’t care what the people might say, people might say I’m gonna keep all love,
I love this way, love this way
I don’t care what the people might say, people might say I’m gonna keep all love,
I love this way, I’m gonna try, I’m gonna try hard, keep all love, make it last
I know, I know I will do it, I will love it, I will do it
I know, I know I will do it, I will do it
I know, I will do it


Hello, good evening, Sunday night, this is Isotopica, this is me Simon Tyszko, and today is a rather lacuna kind of edition of Isotopica
a space where we are in between some things that we are working on and some things that we’ve recently finished,
and today’s edition reflects that liminal space between,

it’s a little bit of this and some bits of that,
some nice tunes, some thoughts and some spaces,

I hope you enjoy, it’s gonna be experimental radio, as ever,
it’s resonance, it’s Isotopica, it’s Sunday,
I hope you enjoy the sounds we make.
and hopefully see you on the other side of these things.


I hope you enjoy the sounds
I hope you enjoy the sounds
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The magic dance of sounds and visions
I hope you enjoy the sounds
I hope you enjoy the sounds
I hope you enjoy the sounds
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I hope you enjoy the sounds
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I hope you enjoy the sounds
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I hope you enjoy the sounds
Little spaces turn wild
And on the first try
When the key is gone
We find a place
Many degrees
Seventy eight
Twenty-six
It’s in the night
Many
I hope you enjoy the sounds
I hope you enjoy the sounds
I hope you enjoy the sounds
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Seventy eight
Seventy eight
Line 30
Line 90
Line 93
Seventy eight
Twenty-six
Seventy eight
Seventy eight
Seventy eight
Line 30
Line 90
Seventy three
Seventy eight
Line 30
Line 93
Seventy eight
Seventy eight
Seventy eight
Seventy eight
Seventy eight
Seventy eight
Seventy eight
Seventy eight
Twenty-six
Twenty-eight
Seventy eight
Seventy eight
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Seventy eight
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Seventy eight


Who will show us forms more efficacious than this? Who is the great one who will give us foundations stronger than this? Who is the genius who will tell us a legend more ravishing than the prosaic tale which is called Life?
The realisation of our perceptions of the world in the form of space and time is the only aim of our pictorial and plastic art.
In them we do not measure our works with a yardstick of beauty. We do not weight them with pounds of tenderness and sentiments.
The plumb line in our hands, eyes as precise as a ruler, in a spirit as thought as a compass, we construct our works as the universe constructs its own, as the engineer constructs its bridge, as the mathematician his formula of the orbits.
We know that everything has its own essential image, chair, table, lamp, telephone, book, house, net. They are all entire worlds with their own written from their own orbit.
That is why we in creating things take away from them the labels of their owners, all accidental and local, leaving only the reality of the constant treatments of the forces in them.
Then in painting we renounce colour as a pictorial element. Colour is the idealized optical surface of objects, an exterior and superficial impression of them.
Colour is accidental and it has nothing in common with the innermost essence of a thing. We affirm that the tone of a substance, i.e. its light absorbing material body is its only pictorial reality.
We renounce in a line its descriptive value. In real life there are no descriptive lines. Description is an accidental trace of a man on a thing.
It is not bound up with the essential life and constant structure of the body. Descriptiveness is an element of a graphic illustration and decoration. We affirm the line only as a direction of the static forces in their rhythms in the object.
Colour is the idealized optical surface of objects, an exterior and superficial impression of them.
Colour is the idealized optical surface of objects, an exterior and superficial impression of them.
Colour is the idealized optical surface of objects, an exterior and superficial impression of them.

We have been listening to an in-between edition of Isotopica here on Resonance 104.4 FM. We’re busy in pre-production for various new thematic editions of Isotopica coming up.
Details to some point soon. Meanwhile you can listen in for further details and look and see on our website being www.theculture.net. This is me Simon Tyszko. Hope you enjoy today’s oblique edition of Isotopica and keep yourself firmly locked to all things resonance 104.4 FM etc.
Catch you later.

 

tyszko Written by: