This
installation was centered around a visceral sub bass installation (see
equation above), utilising the subsonic resonant feedback frequencies
of the various arches in the long corridor. The effect was be similar
to standing near a jet engine, or within a tectonic shift, but without
the high frequency sounds that would make the experience into noise.
The installation was more a physical than a musical experience. Although
the sound wase deliciously loud, it did not contain any of the damaging
and annoying frequencies or noise levels that can be experienced with
music. I managed to make eyeballs pleasantly wobble, at the same time
communication still being possible. musically it was ultra minimal
though most extraordinarily euphonic.>
I would expect to be able to make eyeballs pleasantly wobble,
at the same time communication still being possible.
musically it will
be ultra minimal though it will be most extraordinarily euphonic.
performed with a team of fifteen actors, four collaborators and
a general public |
