Notes on some collaborations
|This installation was centered around a visceral sub bass installation (see equation above), utilising the subsonic resonant feedback frequencies of the various arches in the long corridor. The effect was be similar to standing near a jet engine, or within a tectonic shift, but without the high frequency sounds that would make the experience into noise. The installation was more a physical than a musical experience. Although the sound wase deliciously loud, it did not contain any of the damaging and annoying frequencies or noise levels that can be experienced with music. I managed to make eyeballs pleasantly wobble, at the same time communication still being possible. musically it was ultra minimal though most extraordinarily euphonic.|
performed with a team of fifteen actors, four collaborators and a general public
|Automotive euthansia, a dystopic future, hippies
love the CIA, and Dorothy's house comes crashing down onto the Westway
over Portobello Road.
All whilst cutting your personal carbon footprint by 100% in my automotive euthansia adpted vehicles.
|are a labarynth of arches underneath London Bridge Station in London inhabiyed by experimental theatre group shunt since 2001|