simon tyszko live performance

Notes on some collaborations

The Exponential Horn So Initially perhaps replace storage with….. A field with woods somewhere and put two containers and a caravan, be an art gypsy, free up plight to exhibit…rent out the London flat as an artwork while I hide in the caravan, cooking on an open fire, romantic a gypsy artist…..S P A C E And or Buy/rent an old factory, maybe by the sea, Paris, berlin, Wales, Mumbai, Amsterdam…. Brussels is most affordable.. So I’m told, even an old military site, a bunker, a tunnel… buys an old train, a grounded oil tanker… And or The unreal estates….

subisotopica view video view images	This installation was centered around a visceral sub bass installation (see equation above), utilising the subsonic resonant feedback frequencies of the various arches in the long corridor. The effect was be similar to standing near a jet engine, or within a tectonic shift, but without the high frequency sounds that would make the experience into noise. The installation was more a physical than a musical experience. Although the sound wase deliciously loud, it did not contain any of the damaging and annoying frequencies or noise levels that can be experienced with music. I managed to make eyeballs pleasantly wobble, at the same time communication still being possible. musically it was ultra minimal though most extraordinarily euphonic.
	performed with a team of fifteen actors, four collaborators and a general public

the dead cars	Automotive euthansia, a dystopic future, hippies love the CIA, and Dorothy's house comes crashing down onto the Westway over Portobello Road. All whilst cutting your personal carbon footprint by 100% in my automotive euthansia adpted vehicles.

the shuntVaults	were a labarynth of arches underneath London Bridge Station in London inhabiyed by experimental theatre group shunt since 2001